
There just isn’t any romance in handing someone a phone to try to show how your wedding day felt. An album lives with you. It’s out on the coffee table or displayed on your bookshelf. It’s something to look through on hard days and on easy ones. The kids who were at the wedding grow up and find themselves in it, or get to look back to see what their aunt and uncle looked like back then.
My art books are heavier than people expect and feel more like holding a stack of art prints. The photos can be printed to the edges, and the spreads lie completely flat, so a photograph can stretch across both pages, uninterrupted. It’s why I love putting panoramic spreads in nearly every album I design.
Your album will feel like an art book. Because that’s exactly what it is.
Velvety and creamy, with no glare. Your album’s pages will not yellow over time.
Pigment, not dye. The same ink used for gallery prints, and it will not fade.
Sturdy pages are five times as thick as a sheet of writing paper.
Bound by hand in a bindery in the United States.
The front of your album can have a debossed, stamped drawing of a map of where you met. Or the tree you were married under. A pet. Your venue as a line drawing. Or something from the wedding you already designed: the monogram from your cocktail napkins, a motif from your invitation suite, the font your names were set in. It can just as easily be words: your names, your date, a line from your vows, a lyric. A hand written love note, in your own hand. Send it over and we can include it.
And if you have an idea, but it needs drawing, I’m also an illustrator and I’d be happy to help.
One 4″×2″ deboss stamp design is included, anywhere on the album: cover, spine, or back, in any foil color, or blind (meaning it’s pressed into the cloth with no color at all).
Or nothing at all. It’s your album.
Then the endpapers, the paper inside the front and back cover. Plain black or white or cream; or printed with anything: a newspaper, a repeating pattern, a blurry black-and-white photo. I love old Victorian books and their endpapers. It is the first thing you see when you open the album, and it may as well be something no one else has.
Woven cloth with a texture you can see and feel. It takes a deboss more crisply than anything else I offer, so if you have something detailed to press into the cover, start here.

The softest of the cloths and the most natural looking, with a matte unsealed finish that feels closer to paper than fabric. It looks best inside a slipcase in a contrasting color.

The same cloth, sealed. Fingerprints and spills wipe off. If the album is going to live on the coffee table where people actually pick it up, this is one of the more durable of the color options.

A metallic fleck woven through the color. From across the room, it reads as a solid color, but up close it catches the light.

Deep pile with a real nap, so the color shifts depending on which way you run your hand across it. Dramatic, and much better in person than on a screen.

Bonded leather with a top coat, in warm and familiar tones.

Vegan, animal free, and quite soft. A good middle ground if you want the feel without the leather.

Thick, smooth, and treated to resist stains.

Real, untreated leather with all of its natural grain. It builds a patina the way a good bag or a pair of boots does, and looks better in ten years than it does the day it arrives.

A soft, open-textured leather that deepens as it is handled. The most lived-in-looking option here, and the one that feels the least “new.”

Brushed to a soft suede, then treated so water and stains bead up instead of soaking in.

Foil or blind. Blind means no color at all, just the impression pressed into the material, catching light instead of contrasting with it. It can go on the cover, the spine, or both.

This is the paper pasted inside the front and back cover. It’s a small detail, so yours can be plain, or printed with anything at all: a photograph, a newspaper, a design, a repeating pattern.
I include this as an option not because I want to overwhelm you, but because it’s another chance to make the album custom.

AA 9″×12″ is taller than it is wide, which suits a full-page portrait. A 10″×10″ opens to twenty inches across, which is the widest a panoramic can run.
60 pages (30 spreads) 80–120 photographs
Any cover material, any color
4″×2″ deboss stamp design
Endpapers, plain or printed

Pick your favorites, or don’t. My favorites are already marked in your gallery. Use those, or choose about 40 of your own.
I design the first draft. I consider the narrative, color stories, and the flow of your day, adding in photos to complete your design with that in mind. Your album is ready to review three weeks after you send your selections.
You edit it with me. Your album is shared on a platform where you leave notes directly on the pages: swap this photo, omit this one, make that one larger, etc. We have two rounds of unlimited changes to make sure you love it.
The cover comes last, on purpose. Once you have seen the album come together, we decide on the material, the color, and what is stamped on it.
Approval and printing. Once you love it, your album is sent to be printed and hand-bound, then shipped to you in three weeks.
A slipcase is like a structured dust jacket: it’s a box the album slides into, revealing only the spine of your book. It’s also a second chance to add color to your album. The slipcase can match your album, or it can be a color that you want to take a chance on, but don’t want to fully commit to for the actual book. Some of my favorite combinations are the ones that don’t match.
You can order a Sage Green album, but choose a contrasting Pomegranate slipcase. Or protect an uncoated Natural Vanilla Bean album with a matching case, for consistency.
The slipcase is made in any of the cover materials, with its own debossed design.




Both. Do as much or as little as you want.
I want you to love your album and for the files to get a chance to live outside of a computer or phone.
I design the first draft from your favorites, adding photographs around them with diptychs and layout in mind. Then, you sit with it and tell me what you want changed. Swap this one, omit that one, make this one bigger. Change as much as you want for a total of three album drafts to get your album exactly how you like it.
Or you can be more hands-off.
Say the word, and I’ll use my favorites and send you something finished.
Most couples land somewhere in the middle: they look at the first draft, change a few things, pick their album cover, ask me to add in a few extra family portraits, and that’s their album.
You’ll have every photo I would use to print from, but files wait for you to do something with them, and most of us never quite get to it.
The album is that part done with you. I design it, you tell me what to change, and it arrives finished. The bindery guarantees it for life against any fault in the paper, ink, or binding.
It’s also the only way to get the whole range: every cloth, every leather, every color, a debossed design of your own, endpapers printed with anything you like. The album you can order yourself through your gallery is a much smaller set of choices, with far less say over how the pages are laid out.
If you select 40 of your favorites, I’ll do the rest.
The album holds roughly 80-120 images across 30 spreads. If you’re struggling to select favorites, focus on three to five family photos, any moments you’re drawn to, and your favorite portraits.
I do recommend wrapping up the design and printing it within the first year, so you can have it for your first anniversary, but that said, drafts are kept for up to five years.
Say the word and I’ll use my favorites, which are already marked in your gallery if you want to see them first.
Most couples change a few after they see the draft, which is much easier than starting from nothing.
Also, if you just have questions or want to chat about it, email me at info@nessakphotography.com and I am happy to talk through options: covers, sizes, or anything else you may have questions about.
Yes to both.
One 4″×2″ debossed stamp is included, in any color and anywhere on your album.
Additional stamps are $100 each. If you have several designs, they can be different colors and sit in different places, as well.
Most couples already have a logo: a monogram, a crest, the typography from their invitation suite. Send it over and I will match it. If you would rather have something drawn, I’m also an illustrator.
I’m happy to illustrate something for you. It could be the venue as an outline, your pet, a flower, or the tree you were married under. I would do almost anything to avoid seeing something like generic clip art on something so personal.
I upload the draft to an online platform where you leave comments right on the pages. Change as much as you want, twice, for a total of three album drafts. The album is designed with your favorites, but I can add in photos to help tell the narrative of the day or create designs.
Album changes after the two rounds are $100 per draft of unlimited changes; however, I have never had to charge it.
Three to four weeks.
After the final draft is approved, I’ll look everything over to make sure it’s print-ready, then send it to my art book makers.
My handmade albums take three weeks for production. When it’s ready, I’ll send you the tracking information for your insured album to ensure it makes it safely into your hands.
Everything else is included in the $1,400.
I offer parent albums for $800 so they can have a copy to have, too. Parent albums are discounted duplicates of your album.
Most couples receive album credit when they book. The purchase of an album will immediately use the credit, and any additional money is due at the time of purchase.
Anything added later is due when the album is finalized, before it goes to print.